Studio Workout

what’s old is new again.

GAWS

AWRS

Big ups


Kenneth Anger 
GAWSy


not gonna do the Kenneth Anger - Kool Keith who did it better jersey-off. But you’re free to

Kenneth Anger

GAWSy

not gonna do the Kenneth Anger - Kool Keith who did it better jersey-off. But you’re free to


I’m the skinny high-pitched Bun B, supporting your gofundme
— Devin KKenny

visual-poetry:

»clampersand«

what

visual-poetry:

»clampersand«

what


» Liars and Cheaters Make Better Art

what if you’re living a lie? does that count?


» How to Turn on Your Pretty Boy Swag

This is strictly for lolz.

The exact opposite of GAWS


just a freestyle i was laying on for a while…just did it tonight cuz it’s rainy in nyc and i’m about to get a bunch of priceless data

AAAAAAA
Why WHY WHY
all these so-calleds with no draws wanna LIE LIE LIE LIE
I I  don’t like it
get a mic start recitin your miranda rights rights rights
and be silent.
and you attract no detractors
nor re-pel ben-e-factors
if you wanna act be an actor
if you can’t rap don’t be a rapper
all these trapper keeper trappers claiming they real in the field cropped up snorting crop dust
 so DK be the tractor
i can bend break mend trace word slangs and burn all herb lames
like it’s medicinal. and i’m sick so um, I think i need it!
you walking roun already tread tracks until your feet are bleeding
ctrl alt deletin when i’m hearing any of your musica
it’s b.s. ja? i’d rather put a seashell to my ear on repeat and
whether you man trans or woman if you get computer tans you not trill

your promo archived on hard drives will go in a landfill and das real
nah kid that’s racist
i use only oblique typefaces
i’m putting humans through paces like a death march
wet parchment dries and then we make less art
so get starchin them blouses
get starchin them button ups
we startin on comin up
like my vomit start com in up necks
get it? comin up next
allayall know i stay gripping text
and that dry snitchin’s dumb as dry sex
why witchin’ hours when I get fresh?
cuz within hours I get blessed
with opportunities. like stop and frisk just stopped
and i could wear a hoodie w/ immunity in FLORIDA and not get popped
like i could have a cell phone and cops won’t think it’s a glock
like i could walk down any street and not face any block
like I could go to any party and not see a single face that sucks
no double meaning.
bear
with me
I’m there
simply
faded haters so
swiftly
like nair
on yetis it’s unfair that getty’s got the pics so i’m trippin
on unleaded. flame fire spit at forests made of cornshit and hype
y’all robo-rappers i’m newtype, y’all bilbo baggins with
 new nikes just made of hobbit hair and  vinyl.
they’d go spray paint an idol but they’re too busy watching reruns of my first recital
wondering where they went wrong but it’s not vital

and nah it’s not vinyl
it’s digital and leaves residuals
please know these other MCs be pitiful and DK be pivotal
YEAHHHHH


on my Mama though, shout out to the old prejudice against bunny ear shoe-tying methodology. I don’t agree with Mr. Staples in this case, but I respect his right to speech


Can we categorically separate appropriation, sampling, and quotation from anthropophagy? I don’t think so

dynamicafrica:

This is such a great documentary on cannibalism that I had to share it here. It’s an incredibly enlightening watch that’ll debunk so many preconceived notions about the practice of cannibalism worldwide.

Aside from the fact that Europeans, contrary to what I was informed as a youngster, did in fact practice cannibalism, most reports by European explorers of ‘natives’ they encountered being savage man-eaters are unfounded. These tales told by explorers were merely used to dehumanize these populations so as to degrade them morally and justify European colonialism. If they exaggerated and/or lied about that, who knows what else they lied about? Not to mention the double standards of Europeans (from Denmark to France) at the time (16th & 17th centuries) consuming flesh for so-called medicinal reasons, including fresh blood and a substance that came from the embalmed bodies of Ancient Egyptian mummies. 

Regardless of the reasons for the consumption of human flesh (be it sentimental, ritualistic, survival-driven or medicinal), this now-taboo act is not exclusive to any one part of the world, whether based on race, ethnicity or geographic location.

All of this is strictly my opinion based on viewing this documentary. I’m not an academic nor have I done any extensive research on this topic.

Website | Twitter | Facebook | Pinterest | Google+ | YouTube | Soundcloud | Mixcloud

All Africa, All the time.


letmypeopleshow:

George Maciunas’s enormous, unfinished masterwork charts the history of Fluxus starting with the Roman Circus
Small detail of Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial and Tactile Art Forms (Incomplete) (also known as “The Chart”), dated 1973. 
This was the most ambitious attempt by Fluxus founder George Maciunas to map out the interconnections of the irreverent, anti-institutional, international art collective to phenomena as diverse as vaudeville and Walt Disney.
The chart is on view in MoMA’s show devoted to John Cage’s “silent” sound piece, 4’33″.
COURTESY GEORGE MACIUNAS FOUNDATION INC./THE MUSEUM OF MODERN ART, NEW YORK. GIFT OF THE GILBERT AND LILA SILVERMAN FLUXUS COLLECTION.

letmypeopleshow:

George Maciunas’s enormous, unfinished masterwork charts the history of Fluxus starting with the Roman Circus

Small detail of Diagram of Historical Development of Fluxus and Other 4 Dimentional, Aural, Optic, Olfactory, Epithelial and Tactile Art Forms (Incomplete) (also known as “The Chart”), dated 1973.

This was the most ambitious attempt by Fluxus founder George Maciunas to map out the interconnections of the irreverent, anti-institutional, international art collective to phenomena as diverse as vaudeville and Walt Disney.

The chart is on view in MoMA’s show devoted to John Cage’s “silent” sound piece, 4’33″.

COURTESY GEORGE MACIUNAS FOUNDATION INC./THE MUSEUM OF MODERN ART, NEW YORK. GIFT OF THE GILBERT AND LILA SILVERMAN FLUXUS COLLECTION.











2014 this is rap to get you hyped in the studio, the cubicle, the lab, the dungeon--where the magic happens, even though magic ain't real. the mayans were right, ho. AWRS; GAWS

RSS
Archive
Submit
Ask away

I ain't got no
ABOUT



plain theme by parti
powered by tumblr